Saturday, 24 January 2015

Image Study VIII: Crude (part 1)

I think that I subconsciously selected this week's concept after working several shifts serving members of the "cultural elite". While I realize the irony in posting "works of art" - from the MET no less- as representative images of crudeness (an irony that the art world has reveled in for the past 100-150 years), crude images - or more correctly, what Western contemporary society has and has not deemed crude- is a compelling subject for study(so compelling, there's a part 2!). Particularly interesting and also frustrating is the acceptance of images that demonstrate the destructive and dehumanizing effects of capitalism as mere pieces of art, valued as commodities that represent the artist's insight into humanity. Over time do these images lose political valence? Did they ever have any?

"God" by Baroness Elsa von Freytag-Loringhoven and Morton Schamberg
Morton Schamberg and Elsa von Freytag- Loringhoven - 1917
Photograph- Gelatin silver print

Portrait of an Italian Woman
German painter active first third of 16th century
Oil on wood

Apartment Houses, Paris
Jean Dubuffet - 1946
Oil with sand and charcoal on canvas

The Street
Philip Guston- 1977
Oil on canvas

Berlin Street
George Grosz - 1931
Oil on canvas

Wednesday, 21 January 2015

red, red, red

Fifty Days at Iliam: The Fire that Consumes All before It
Cy Twombly - 1978
Oil, oil crayon and graphite on canvas

Self portrait in a Velvet Dress
Frida Kahlo- 1926
Oil on canvas




Liberty
Jean-Michel Basquiat- 1983
Acrylic, charcoal, crayon, pastel, pencil